Film look with RED footage

I’ve been hearing a lot of complaints recently that RED looks too digital because the footage is so clean. There seems to be the common collective that film grain is the thing that is missing from the RED’s look. Here are several tools to give you that film grain look, as well as the emulation…

4K – The Future (Death of 1080p)

Just thought I’d give you a look into the not so distant future. At CES, TV makers show off lighter, sharper sets  Original article. By Nathan Olivarez-Giles 13 January 2012 Los Angeles Times LAS VEGAS — As always, the Consumer Electronics Show, the world’s largest personal technology confab, has been filled with hundreds of new TVs,…

Shot on Red

I thought I’d take a second to list productions that have been captured with Red Digital Cinema camera’s. There are far too many to list but here are a few: FEATURE FILMS: Upcoming: *42 (The Jackie Robinson Story) * Flight (Rob Zemeckis/Denzel Washington) * Hitchcock (Biopic) * Oz the Great and Powerful * Total Recall…

Red R3D Workflow Diagram

There seems to be a common misunderstanding of how to deal with RED footage that ultimately sways clients to go for other digital camera systems. Time and time again I hear complaints of how difficult things are workflow wise. Think about this, if you shoot on a dslr you must first transcode the footage into…